I’m really excited about today’s interview. Most of you will remember my book cover (it’s in the sidebar for anyone new to the blog), which was designed by the wonderful Ravven. Well today I’m interviewing her about her creative process.
As someone who has is utterly unable to do anything visual, be it digitally or otherwise, I found it really interesting to dig a little into what goes on behind the scenes when creating digital art. Before we get stuck into the interview, I wanted to showcase one photo in particular that really struck a chord with me. It’s called Medusa in the Boudoir:
Isn’t it wonderful? I saw it and went *wow* — and immediately contacted Ravven to see if she’d be free to do my book cover (lucky for me she was.) This is by far my favourite piece. It’s not just that it’s beautiful, or that it looks like a painting — it’s the story and the emotion that emanates from it that I really love. Anyway, enough of my gushing. On with the interview!
Thanks for taking part in the interview Ravven, and for being on the blog today! Now obviously you do book covers, but you also create pieces of digital art that are unrelated to any book. How do you start working on these kinds of project? Do you already have a full idea in mind of what you want to create and how it will look, or do you get inspired by coming across a particular photo/object/model and build the art work around that?
I am usually inspired by images, which is why the personal art is easier. When you’re working on a cover you are usually working to a very defined brief, so of course it isn’t as free-flowing. On the other hand, it is when you work within a set of constraints and requirements that the challenge becomes really interesting – sometimes you end up with something very special that you may not have come up with on your own. At its best, a cover is a collaboration between the author’s ideas and the vision of the artist. It’s why I love this work!
At times I need to take a step back and just let the creative batteries recharge before I begin doing commercial work again. It’s nice to have the freedom to do that and I feel very fortunate! This feels like the best of both worlds.
In relation to your question, personal pieces usually start with a central stock image that I fall in love with. Sometimes I want to do something around a concept (loneliness, etc.) but usually I just fall in love with a stunning image and want to create something with it.
The thing that really struck me about your art is that there’s such a sense of story to it (such as in the Dollmaker photo on the left). Of course, cover designs will have that element of story, but even projects that are unrelated to any book seem to be a moment in a story. When I look at them I want to sit down and write the story I can see lurking behind the artwork. Is this something you set out to do? Do you try to create a story or characters, or is it purely visual for you?
For me it is very visual, but the image won’t work unless it develops a story. I don’t know if that makes sense, but it feels as though it unfolds as you work on it and becomes something more – often something that you didn’t originally intend it to! It’s probably a lot like a writer pantsing rather than plotting. Unless it becomes something much deeper than you originally intended, it won’t be as successful. It may be a pretty image, but won’t have any emotion to it.
That makes perfect sense. I think that happens with any creative process, even if there is a plan or outline beforehand. Art in whatever form always seems to take on a life of its own after a while.
Do you only work in digital, or do you also work with more traditional / analog methods? If you work with more than one medium, which is your favourite and which is the most challenging?
Currently I work almost exclusively in digital. I used to do all watercolour (actually, pen and ink overlaid with watercolour), but currently I only work digitally. My drawing skills aren’t at a professional level and never will be, so I can’t satisfy my love of photo-realism. 🙂 Years ago I worked in the art department of a high-end photo studio in Los Angeles and I learned a lot about retouching and subtly enhancing or changing a face. I still use a lot of those skills now, but the work is done in Photoshop with a Wacom tablet. Much easier than working with photo dyes or working on negatives!
Do you take inspiration from other art forms, like film/books/music/video games?
Always. I think that as creatives of any kind we always take in inspiration from everything that we see and experience. Books, movies, games, art – everything goes into the subconscious hopper and becomes new ideas. There are a lot of movies that mean a great deal to me because they’re so gorgeous visually, such as the Jennifer Lopez movie The Cell. Admittedly not the best film ever (more of a guilty pleasure), but such a dreamlike gorgeous movie!
Could you give us a very quick walkthrough of the process of creating a piece of digital art?
On a book cover project, I’ll normally start with models first. I do quite a lot of mockups for all the models that I think might work, but usually only a few backgrounds/environments. The models are composited with the background to give a feel of what the overall cover will look like, but usually they don’t all have the correct hair or clothing – piecing that together is very time-consuming and I don’t do it at this stage. I have text on the image mainly as a placeholder so I’m not tempted to fill that area up with detail, but it will all be changed later on.
Thank you so much for being on the blog today Ravven! I really enjoyed chatting with you.
If anyone’s looking for book covers, I can’t recommend Ravven enough. She currently has a selection of beautiful pre-designed covers that you can find here. Even if you’re not a writer looking for a cover, you can have a browse through her art portfolio here. Finally, you can find out more about Ravven’s custom book covers here.
Connect with Ravven: